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Tag Archives: Troy Mowat
The Making of 7 Seconds “Leave A Light On”
The story of 7 Seconds full length recording “Leave A Light On” was one that actually began many years earlier when I was introduced to the band by Bill Armstrong and Joe Sib of Side One/Dummy Recordings. Bill and Joe … Continue reading
Posted in Punk Rock Producers, Punk Rock Studios
Tagged 1176, 7 Seconds, AKG 414, Audio Technica 4047, Avalon U-5, B.Y.O. Records, Bass Tone, Bill Armstrong, Bobby Adams, Bogner. Punk Rock Mixing, California Recording Studio, Craig Ericson, DBX 160 VU, Duel Rectifier, Fender Bassman, Fender Precision Bass, Good To Go, Gutar Tone, Hardcore, Hardcore Punk, Hell's Half Acre, Hell's Half Acre Studio, Joe Sib, Kevin Seconds, Leave A Light On, Les Paul Junior, Les Paul Special, Marshall, Mesa Boogie, Michael Hateley, Music Production, Neve, P-90, Producer, Producer Blog, Punk Rock, Punk Rock Engineer, Punk Rock Mastering, Punk Rock Mixer, Punk Rock Producer, Record Producer, Recording Studio, Rise Records, SideOne/Dummy, SM-57, Steve Kravac, Steve Youth, Swinghouse Hollywood, Troy Mowat, U67, Vocal Tone, Westbeach Recorders
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